GRECO-ROMAN NOTATION
This is a bar taken from Rachmaninov's Piano Concerto (piano part) no. 3 in D minor.
This is the above bar, fitted to Greco patterns.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
aB |
|
|
|
|
dY |
|
|
|
|
|
|
|
|
|
|
dY
- DFGACE
aB
- ABDEF
B
- BDF
Then, Roman numerals indicate the notes' order within these scales.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
II |
III |
II |
III |
VI |
II |
VI |
VI |
I |
|
|
|
III |
IV |
V |
IV |
G |
II |
IV |
|
V |
V |
III |
|
III |
II |
IV |
I |
II |
VI |
|
III |
|
|
aB |
|
|
|
|
dY |
|
|
|
|
|
|
|
|
|
|
Finally, accidentals and note durations are added.
|
= |
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
|
G |
II |
III |
II |
III |
VI |
II |
VI |
VI |
I |
|
|
|
III |
IV |
V |
IV |
G |
II |
IV |
|
V |
V |
III |
|
III |
II |
IV |
I |
II |
VI |
|
III |
|
|
aB |
|
|
|
|
dY |
|
|
|
|
|
|
|
|
N |
|
=
- semiquavers
v - flat
^ - sharp
N - natural
G -
treble clef
The Greco patterns are as follows and requires memory of progression as well as tonality. Perhaps there are choicer combinations of notes. Feel free to experiment.
a – ADE |
aB – ABDEF |
ad – ADEF |
B – BDF |
Bd – BDFA |
BY – BCDEFG |
d – DFA |
dY – DFGACE |
- |
Y– GCE |
Ya – GACDE |
- |
It is possible to write music more fluently with Greco-Roman notation, having memorized the patterns, and to perform more lucidly with independent hands as each hand is drawn towards a pattern rather than a position marked on a staff.